An exploration of the limits of memory and true identity. Seeing the world in black and white is not just a disease that Eva Amat has in her eyes: it is also a way of understanding life. After fainting during the presentation of her latest film in Berlin, she finds herself kidnapped in an unknown apartment and remembers nothing of what has happened. Only a version of her, much more timid and much darker, manages to rescue disconnected scenes from her past. Childhood, adolescence, the need to shine on stage under the dictatorship of the image, and above all the love relationship with the man of public life, are struggles much more real than the filming of a film. If life were in black and white, everything would be much more intense and stimulating. But perhaps also more terrifying.